Worked as a Graphic Designer on the first season of the new Doctor Who era and the 60th Anniversary Specials, based at Bad Wolf Studios in Cardiff. Part of an expanded graphics team following the show’s transition from BBC to a co-production with Disney+. Designed a wide range of assets spanning 1960s period graphics, futuristic spaceship interfaces, motion graphics, and in-world screen content—helping to shape the visual language of the updated series.
New Tardis Console Room
With the introduction of a new Doctor and a new season, I had the opportunity to design fresh visual elements for the TARDIS interior, while updating legacy graphics that had been part of the series since 2005. Building on the show’s established visual history, I developed a cleaner, modernised version of the Gallifreyan language, and created new console plate designs, dial graphics, and screen user interfaces—balancing continuity with innovation to reflect the series’ new direction.
1960’s Period Graphics
Episode two was set in 1963, providing a unique opportunity to design an extensive range of authentic 1960s period graphics. These included newspapers, tax discs, car number plates, music magazines, and signage for EMI and Abbey Road—ensuring historical accuracy and visual cohesion within the era-specific setting.
Albion Political Campaign
The fourth episode featured a fictional political campaign for the party “Albion,” offering the chance to design an entire campaign visual identity. Created graphics for a campaign office and transformed Cardiff City Stadium into the Albion rally site. Designs included the Albion logo, campaign branding, posters, boards, large-format banners, foamex hanging signs, balloons, and a life-size cardboard cutout featuring Roger Ap Gwilliam’s face—bringing the fictional political event vividly to life on screen.
