Doctor Who Season 2

Doctor Who Season 2

Worked as a Graphic Designer on Season 2 of the new Doctor Who series, produced at Bad Wolf Studios in Cardiff for Disney+ and BBC Studios. As part of the expanded graphics team following the show’s global relaunch, I contributed to a wide range of design work — from 1950’s Miami to futuristic interfaces, alien languages, and spaceship control panels.

 Production Designer: Phil Sims
Supervising Art Director: Robyn Paiba
Sec Decorator: Adrian Anscombe

Job Title: Graphic Designer

Tx Dates: 12th April 2025 – 31th May 2025

Period Graphics – 1950s Miami

Episode 2 was set in 1952 Miami, providing a rich opportunity to design a wide range of mid-century period graphics. This included vintage signage, product packaging, diner menus, a custom-designed hero carpet for the cinema set, large-scale Perspex signage, and LED neon lighting — all capturing the vibrant aesthetic of 1950s America.

Futuristic Environment and Interface Design

Episode 3 was set in the distant future on an abandoned outpost on an alien planet, offering a unique opportunity to design a range of futuristic graphics. This included worn-out control panels, user interfaces, environmental signage, and fabricated elements like doors and warning labels.

Interstellar Song Contest

Episode 6 was the most expansive and design-heavy episode of the season, offering the chance to create a rich variety of graphics for a multi-planet sci-fi setting. From interfaces for control panels, airlock and hatch graphics, and warning systems to planetary flags, insignias, and user interfaces.

Action Props and Dressing Graphics

Motion Graphics, User Interfaces and Phone Graphics

Doctor Who Season 1

Doctor Who Season 1

Worked as a Graphic Designer on the first season of the new Doctor Who era and the 60th Anniversary Specials, based at Bad Wolf Studios in Cardiff. Part of an expanded graphics team following the show’s transition from BBC to a co-production with Disney+. Designed a wide range of assets spanning 1960s period graphics, futuristic spaceship interfaces, motion graphics, and in-world screen content—helping to shape the visual language of the updated series.

 Production Designer: Phil Sims
Supervising Art Director: Robyn Paiba
Sec Decorator: Adrian Anscombe

Job Title: Graphic Designer

Tx Dates: 11th May 2024 – 8th July 2024

New Tardis Console Room

With the introduction of a new Doctor and a new season, I had the opportunity to design fresh visual elements for the TARDIS interior, while updating legacy graphics that had been part of the series since 2005. Building on the show’s established visual history, I developed a cleaner, modernised version of the Gallifreyan language, and created new console plate designs, dial graphics, and screen user interfaces—balancing continuity with innovation to reflect the series’ new direction.

1960’s Period Graphics

Episode two was set in 1963, providing a unique opportunity to design an extensive range of authentic 1960s period graphics. These included newspapers, tax discs, car number plates, music magazines, and signage for EMI and Abbey Road—ensuring historical accuracy and visual cohesion within the era-specific setting.

Albion Political Campaign

The fourth episode featured a fictional political campaign for the party “Albion,” offering the chance to design an entire campaign visual identity. Created graphics for a campaign office and transformed Cardiff City Stadium into the Albion rally site. Designs included the Albion logo, campaign branding, posters, boards, large-format banners, foamex hanging signs, balloons, and a life-size cardboard cutout featuring Roger Ap Gwilliam’s face—bringing the fictional political event vividly to life on screen.

Action Props and Dressing Graphics

Motion Graphics, User Interfaces and Phone Graphics

Doctor Who Series 13

Doctor Who Series 13: Flux

Based at Roath Lock Studios in Cardiff, worked as part of the large Art Department team on the 13th series of the popular science fiction programme Doctor Who. Responsibilities included designing graphics across a wide range of time periods—from historical to futuristic—as well as contemporary settings. Produced large-scale printed assets such as translights and vinyl flooring, alongside animated motion graphics, action prop graphics, and hand-crafted elements for on-screen use.

 Production Designer: Dafydd Shurmer
Art Directors: Julia Jones, Ifan Lewis
Sec Decorator: Vicki Male

Job Role: Graphic Designer

Tx Dates: 31 October 2021 – 5th December 2021

Lupari Graphics

Designed a wide range of graphics for the Lupari spaceships, including the creation of an original alien emblem and a custom alien language. Developed visuals for perspex etchings, vinyl decals, frosted screen overlays, and detailed motion graphics for the spacecraft cockpit. Motion elements included dynamic UI menus, radar displays, power level indicators, communication interfaces, status alerts, and sequences showing the ship under attack—such as being hit by the Doctor’s sonic screwdriver.

 

Sontaran Graphics

Created a range of graphics for the Sontaran race, including a unique emblem, custom alien language, flags, and vinyl decals. Designed motion graphics for the spacecraft’s interior screens, depicting various functional systems. These included communications, life support, security alerts, prison containment, and other ship operations—ensuring a cohesive and immersive visual identity across all on-screen elements.

Action Prop & Dressing Graphics

Motion Graphics, User Interfaces and Phone Graphics

The Pact Series 1

The Pact

6 episodes of contemporary thriller set in South East Wales.

As the program was set in and around a brewery there was a brewery related graphics such as logos, posters, bottles, brewery signage, screen designers, beer mats, flags and roller banners. Large part of the show was also set in a police station so designed a police logo, police signage, computer system as well as generic police paperwork and posters. 

 Production Designer: Dafydd Shurmer |  Art Directors: Vicki Male, Ifan Lewis, Chris House

Tx Dates: 17 May 2021 – 21 April 2021

Keeping Faith Series 3

Keeping Faith Series 3

6 episodes of contemporary drama set in West wales, broadcast in English + Welsh with bilingual graphics. Designing graphics for English + Welsh was a new challenge for me but one that I really enjoyed. Mixture of contemporary graphics from maps, books, bottle graphics, legal paperwork to screen and phone graphics. 

 Production Designer: Stephen Nicholas |  Supervising Art Director: Tim Overson

Tx Dates: 27 March 2021 – 1 April 2021

Doctor Who Series 12

Doctor Who Series 12

Production Designer: Dafydd Shurmer

Tx Date: 05/01/2020 – 17/02/2020

Spyfall part 2

This was the first episode of Doctor Who I worked on – I designed graphics for the Adelaide Gallery in Victorian London – a series of horizontal and vertical banners, printed digitally as well as drawing a series of plans for the gallery of the latest inventions. 

Orphan 55

This episode of Doctor Who required me to design a number of futuristic graphics from user interfaces, food products and menus. 

Motion graphics created in Adobe After Effects and product graphics created in illustrator / indesign.

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Nikola Tesla’s Night of Terror

As this episode was set in New York and Long Island at the turn of the 20th century it gave me the chance to design period shop fronts, posters, signage as well as packaging. In total I designed shopfront for 12 period shops, from simple vinyls to stencils that would be painted later on. 

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doctor who new york signage graphics stephen fielding

The Tuckers

The Tuckers

This are some of the graphics that I designed for the 1st series of the Tuckers, broadcast on BBC Wales in January 2020

Production Designer: Stephen Nicholas

Tx Date: 10th January 2020 – 14th Feb 2020

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Two Heads Creek

Two Heads Creek

I was the graphic designer on the U.K. unit of Australian British Horror Comedy Two Heads Creek, filmed in January 2019. 

Checkback following release for graphic examples.

Casualty Series 34

Casualty Series 34

I was the graphic designer for 37 episodes of Series 34 of Casualty, based at BBC Roath Lock in Cardiff, South Wales. Updated the Emergency Department screen graphics for this series as well as a new Police 4×4 and a new billboard for the backlot alongside the regular Casualty graphics such as an Airport, Train Station, Ice Rink, Shops and more.

Series Designer: Owain Williams  |  Production Designers: Various

Tx Dates: 17 August 2019 – 26 September 2020

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police 4x4 graphics stephen fielding
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Selected Graphics

Episode 8

Production Designer: Myra Lewis
Art Director: Angharad Elidir

This episode required us to have a character viewing some CCTV footage, so I filmed some on a GoPro with members of the Art Department, and then created this motion graphic with after effects.

Episode 25, 29, 31

In this series of Casualty we had three episodes set either on a station platform or on a train so I designed a series of graphics for a fictitious train franchise.

Graphics designed include – logo, tickets, train carriage graphics, posters, signage, window frosting, leaflets, departure boards, ticket vending machine as well as mock ups for the costume department.

Episode 31

Production Designer: Penny Harvey
Art Director: Angharad Elider

Building on the previously establied Holby International Airport logo and colour scheme I created a series of graphics for Holby’s fictional airport – from wayfinding signage, to screen graphics, roller banners as well as graphics for airport trolleys. 

The Candidates

The Candidates

During the 2019 pilot season I got the chance to work on some spec graphics for a amercian show that was later cancelled. 

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nyc subway graphics stephen fielding
Stephen Fielding 2024